The work is composed of three movements:
|
I: Allegro II: Adagietto III: Finale - Rondo: Allegro vivo e ritmico |
The first movement is centered around two themes, exposed right at the beginning. It then develops through a type of sonata-variations form, changing key, style, time signature, and feel. In one of the earlier variations, I had to strongly resist quoting Dave Brubeck's jazz classic "Blue Rondo ą la Turk".
The second movement is a delightful ternary form. The first theme is original but the second theme is derived from the Gregorian Chant used by Medięval composer Guillaume de Machaut in his "Messe De Notre-Dame".
The finale is a delightful rondo whose theme is reminiscent of the Badinerie from J.S. Bach's "Orchestral Suite No. 2 in B minor". The martial section in the middle was originally intended for another work that I was writing, but I decided that it didn't really fit in the other work very well because it would lead to great fatigue for one of the musicians. It fits much more pleasantly here.
| Title: | Concerto for Soprano Saxophone |
| Duration: | 12:30 |
| Orchestration: | 1 1 1 1 , 1 1 0 0 , timp , vn, va, vc, cb, soprano sax |